I was always interested in the way that an art-movement, mostly apply in painting, can be reproduced into the art of film-making. So I decided to take the the three art-movements that I often find myself been inspired of (Cubism, Dadaism, Surrealism) and translate them into the language of film.
CUBISM (1908-1914):- The Cubists broke from centuries of tradition in their painting rejecting the single viewpoint.
- The movement was conceived as "a new way of representing the world".
- The movement was conceived as "a new way of representing the world".
=> The initial phase of Cubism (Analytic phase 1907-1912) attempted to show objects as the mind, not the eye, perceive them.
("Weeping Woman, 1937, Pablo Picasso)
DADA (1916-1920's):
- Characterized by a spirit of anarchic revote. Dada revelled in absurdity, and emphasized the role of the unpredictable in artistic creation.
( "ABCD", 1923-1924, Raoul Hausmann)
SURREALISM (1920-1930's):- A movement dedicated to expressing the imagination as revealed in dreams, free of the conscious control of reason and convention.
- The movement's principal aim was " to resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality".
("Anatomie du désir", Hans Bellmer)
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